The Writer's Poke

For a fun drinking game, take a shot every time the film uses the word "psychiatrist."  The look of the film is great. Brad Pitt (Jeffrey) and Bruce Willis (James) act their butts off. And yet, when I finish the film, I feel unsatisfied.  I'm not happy with the ending. The virus has been released. The future hasn't been able to stop the past from happening. Well, I don't want to get into a time travel debate, but if the future fails, can't it just keep trying? This is one of those movies that has the cool idea, but then it never shows how it works. Which is fine. We get the idea that time travel is dangerous and inaccurate. The scientists use "volunteer" inmates because, I assume, they're disposable. James and Jose (Jon Seda) are two of the inmates we see, but there are other anonymous future folks keeping watch on James, too.  Ultimately, I guess much depends on that end scene. It's been referenced a number of times. James dreams it, because...

It's hard to explain it. I grew up in the 1980s, and the previous decade seemed like a lifetime away. When I was seven or eight, I loved watching the A-Team, but I could never wrap my head around those guys being in the Vietnam War. I mean, if they were in their 30s or 40s, I guess that makes perfect sense, but the late 60s might as well have been the 19th century to my little kid brain.  Even when I was in college in the 1990s, I wondered why certain authors were bothering to write about Vietnam -- Tim O'Brien, or for the purposes of this film, Bobbie Ann Mason.  In Country is a movie that shows there was still something to be learned and discovered about the Vietnam War and the people that were still caught in its memory.  Samantha (Emily Lloyd) never knew her father. He was killed in Vietnam while her mom was pregnant with her. For that matter, her mom never really knew her husband. They were married for about four months when he was shipped off to Vietnam.  In th...