The Writer's Poke

How cute does this film want to be? If it's just a story about two male sex workers, then maybe I would like it more than if you try to layer in the Shakespeare. Gus Van Sant admitted that some viewers found the "Shakespearean dialogue" used in the Bob (William Richert) scenes jarring. I am among those viewers. I just didn't find it necessary. Also, I don't need to be told that the plot is "loosely based on King Henry IV." So what, really? It's not obvious, and I'm more confused about why Scott (Keanu Reeves) wants to live this "lifestyle" until he comes into his inheritance. Does he really expect that people will simply "excuse" him for being a male prostitute until he's 21? The scene that I appreciate the most is when Mike (River Phoenix) opens up to Scott. He tells Scott that he loves him. That's the best part of the film. Since Scott isn't gay, nothing happens sexually, but they do embrace. The other part of th...

Although this isn't a silent picture, it acts like one.  I even found myself saying, "Gee, I like a movie that reads like a book." Not just because it has the place cards like a silent film, but because it has characters reading from a book. Maybe 5 or 6 times we stop and read a page out of the vampire book with the characters. Maybe this was groundbreaking information -- Who the Vampires work for, what powers they have, how to kill them, etc. -- but reading a page of text on the screen is not the best way to use the film media.  So, if you're not really into slow, 1930s pictures that don't know if they want to be silent, and don't know how to "show" more than they "tell," I wouldn't recommend this one.  As one reviewer noted, it has absolutely no action. You will barely see a vampire. You will hardly see any blood. At one point, you will see a woman give a creepy smile. That's the extent of it.  And I would be okay with that, but I...

After watching Part 1, I wasn't sure I'd be watching Part 2... but I'm a completionist. I needed to watch it, and to be fair, it was better... and not a horrible conclusion to the series.  1. Too many characters means no character development. They just become "The Amazon Vampires," "The Irish Vampires," etc.  2. Bella's narration. That's new, and I don't like. It's just a lazy way to give quick exposition for everything that's going on. Now, if it's Bella writing down the story for her daughter, I can almost give it a pass, but generally, that kind of voiceover is just weak. 3. Is it creepy that Jacob imprints on Bella's daughter? If he can't have Bella, and Bella's daughter grows up quickly, I guess it's okay. I suppose we should just ask Alice.  At least in Part 2, I don't feel like we're waiting for stuff to happen. The pacing has picked up, and so I was into the story for the most part... nothing dragg...

Is there enough to justify dividing Breaking Dawn into two separate parts? I really wondered this before watching, and after watching, I can safely say, nope.  The film is 2 hours long, but you can break it down into 3 segments -- the wedding, the honeymoon, and the pregnancy. Give each segment, say, 30 minutes, or even if you want to milk one of the segments, milk the pregnancy, I guess, an extra five minutes. But clock the film at 90 minutes.  Anyway, we end up getting a lot of weird shots of Bella (Kristen Stewart). just studying her face -- either we are, or she is, or both. Is she anxious? Is she stressed? Just what is going on in her mind? The camera, I guess, works to "tell us." It lets us know the things we can't hear the characters think. Sometimes the actions or dialogue tell us, too, but it's usually the length of the camera shot. None of those characters have any real depth. It's kind of funny when you watch Bella's "life montage" -- you ...

The movie is a little different: It has 5 strong female leads. Name another movie with 5 strong female leads. Katherine Ann (Julia Roberts) is the last-minute hire at a snobbish northeastern Women's College. She doesn't belong there, and the administration and students make sure she knows it. At the same time, Amanda (Juliet Stevenson) has somehow managed to be a lesbian and maintain her employment there for years... so if you don't quite fit in, you can stay. You just have to remain invisible and a non-problem. In Amanda's case, be a lesbian, but don't distribute birth control.  At first, it feels like Katerine Ann will likely try to "do things her way" while staying under the radar. She can teach to the syllabus AND add outside content. She can teach them what they need to know, as well as what she thinks they need to know. Basically, she can teach them how to think for themselves.  Throughout the movie, maybe she's still trying to figure out how to ...

If you watched Mary and Max and then watched Memoir of a Snail (2024), I wonder if you would know everything you need to know about the creative force behind these films, Adam Elliot. I like both films, and they're both quite similar -- the visual world, the characters, the humor. If Snail was a "brown" film, then so is this one. It's obviously a sad film. Mary and Max do have more people to call friends than just one another. They each have neighbors. Mary even marries her neighbor. Does he leave her? Sure, but he's not depicted as being a bad guy for it. Max's neighbor, too, comes off as a real friend, but if Max and Mary "dream" about each other and ignore other examples of human contact, maybe Elliot is commenting on the nature of distance, and how distance sometimes helps people open up in ways they don't to those around them.  What a fun experiment, to just pick a name at random and develop a friendship with a total stranger who lives thous...