Directed by Edgar Ulmer -- People on Sunday (1930) and Detour (1945) -- and starring Bela Lugosi (Vitus) and Boris Karloff (Poelzig). Not to mention featuring a black freakin' cat, a modern castle built on a mass grave filled with war dead and dynamite, and home to a crazed Satanic cult leader... this movie has it all. Maybe a little too much. It's like Peter (David Manners), the self-professed crappy writer, wrote it all in a fever dream. Even the ending makes fun of what we just watched, noting (in a newspaper review of Peter's latest novel) that none of it was believable. None of it was remotely realistic. When Vitus sees a black cat, it triggers him. In no real way, to be honest, except to be overdramatic. This is another instance of the film jabbing at itself when Poelzig tells Vitus to "stop being so overdramatic." But Vitus and Poelzig have beef. It goes back to the War and to the fact that Virus spent the past 15 years in a prison -- a kind of Hotel Calif...
This movie maybe shouldn't be that good. But here are some of the "little things" that make it pretty special: "Does she bite?" "That costs extra." *** "Profession?" Looks. Laughs. "Yes." *** "Italian!" "Danish!" "German!" *** Camera shot of the woman in the swing. *** What it doesn't do so well -- The shots of the man in an ape suit, which is only slightly better or worse than the enlarged close-ups of the Ape's "chimpanzee face." Stuff like that takes me out of the movie, to be honest. So as much as I enjoyed a lot about this movie, it has a rating ceiling. Rating: 3/5 stars