"Scarlett! Look at me! I've loved you more than I've ever loved anyone and I've waited for you longer than I've ever waited for any woman." -- Rhett Butler, Gone with the Wind (1939) Jon (Joseph Gordon-Levitt) is not Rhett Butler, but once he sees Barbara (Scarlett Johansson) he's willing to wait. Even if that means waiting a whole month, which he technically does. During that period, he even agrees to do other things that Barbara suggests, such as taking a night class. She "rewards" him in the hallway outside her apartment, but as I say, technically, she forces him to wait a whole month. (When Scarlett Johanson prepared for her role in this one, I feel like she watched a bunch of Fran Dresser "The Nanny" episodes and followed that up with a few Mariah Carey interviews when she's especially playing up her New York accent. Other viewers have pointed out the accents, so I won't belabor the point... but man... are they meant to s...
It's called Bedtime Story, and so it's a nice touch that the opening credits are done like a children's pop-up book. If you didn't know better, though, might you be led to believe that the movie would be a children's tale? The movie even begins "Once upon a time." Perhaps the point is that Lawrence (David Nevin), a con artist, is a fanciful storyteller. And like all fairy tales, perhaps this intro puts us in the mindset of cautionary tale. It's a much different opening than used in the remake Dirty Rotten Scoundrels (1988). And Marlon Brando as Freddy... quite different from Steve Martin. The overall story is more or less the same. Janet (Shirley Jones) is a much-simplified character, however, and this one difference makes some reviewers prefer Dirty Rotten Scoundrels. I would agree that I probably prefer the DRS ending, but the Bedtime story ending is pretty sweet, too, with some nice lines, such as Lawrence admitting that Freddy is likely happier,...