The Writer's Poke

Maybe Mia Farrow works better in small doses for me. I just have a hard time seeing her as a lead in any movie, and she's definitely in this movie almost from beginning to end. That's somewhat annoying.  She's not a horrible actor, nor does she have a big hairy mole on her chin. And the reason I don't rate this movie higher has more to do with the writing, probably, than her as the lead. If Woody Allen wants to turn Alice (Farrow) invisible or to have her love potion accidentally get into the party drink, so that all of the men there fall madly in love with her, I'm okay with that. But this isn't "magical realism" to me. It's just hokey.  Alice is that unfulfilled women who wants something more out of life but can't quite put her finger on what she can to get it. She's rich and has kids. Her husband isn't mean to her, but he never takes her too seriously, and he has his own life -- and affairs. He's supportive to a point, and then h...

My daughter loves this movie, and a few years ago on a Greenland cruise, we must have watched it a dozen times. In fact, this might very well be the movie that I've re-watched the most out of every other movie ever made. Weird thought.  Although I'm not going to try to convince you that it's a perfect 5-star movie, I will argue that it's really good for a comedy. Really good. The reason has a lot to do with the Anne Hathaway/Rebel Wilson pairing. They just play off of each other so well. They work together visually, too. Just something about them reminds me of Laurel and Hardy... well, maybe not, but still, I like this pairing. You would never expect Anne Hathaway to be funny, but she is perfect in this comedic role. Sometimes all she has to do is react to Wilson's over-the-top physical comedy. One facial expression from Hathaway says it all.  Josephine (Hathaway) and Penny (Wilson) are complete opposites. One is sophisticated, the other is raunchy. One is a master ...

(Cuba Gooding, Jr.) has a father. Granted, Furious (Laurence Fishburne) was 17 when he had him, but Furious made up his mind to be a father his son could look up to. He's tried to teach him how to get ahead in life. How to stay out of trouble -- both on the streets and in the bedroom, and it's Tre who ends up successfully leaving the neighborhood. Both he and his girlfriend, we're told at the end, make it to HBCUs in Atlanta.  Ricky (Morris Chestnut) is not that lucky. He plays football and has been recruited to college, but he's not really equipped for the academic requirements. At 17, he's already a father, and he didn't have a father to help guide him.  It's funny that Ricky only needs a 700 on the SAT to qualify for his football scholarship. That's a score that anyone with a pulse could get, but he dies before learning if he met the score he needed. In fact, the letter came, but he keeps on walking to the store. He never bothered to open the envelope...

Am I watching something real? That was really my question as I watched this movie. What do I mean by that? Simply, are there real people like these characters? When I watch Boyz in the Hood, for example, I could think, yes, this is more or less real.  But is Baby Boy meant to be real, or is it meant to be simply, I don't know... some sort of fable, loosely speaking? In his review, Roger Ebert really liked the film, calling it "bold social criticism." I can see that. I can also say that I thought the acting was great -- from Tyrese Gibson to Omar Gooding to Ving Rhames to Snoop Dogg.  But then I find myself wondering about the practical stuff. I guess I shouldn't, but if the men don't have jobs and don't contribute to the bills, then how does Joseph's (Gibson) mom afford her house? We see that his baby mamas have jobs and some sort of family support system, but these neighborhoods are pretty nice looking. I just think about how expensive it is to live in Lo...

Tupac. I've heard of him, as I'm sure everyone has, but I've never listened to his stuff, and I've never watched any film he's starred in. Turns out, he was a pretty good actor. Janet Jackson is an okay actor, too, but I can understand why she hasn't done a lot of film work.  It's neat to see Maya Angelou make an appearance as one of the Aunts at a random family reunion. And let's talk about this: The film somehow morphs into a road trip picture, with Lucky (and his partner) plus Justice (Jackson) and another woman driving from L.A. to Oakland. Keep in mind, they are in a post office truck -- a medium size one -- and I assume they are doing a mail delivery, which means they would be on the clock. Nevertheless, they end up stopping, as I mentioned, at a random family reunion, as well as some sort of African carnival in the middle of nowhere. They're seemingly somewhere in central or even west-central California before they end up taking the costal sce...

School Daze (1988) and Higher Learning (1995). Both are about life on an American college campus. Daze uses the HBCU setting, and Learning uses a traditional "state school" sort of campus.  The link between the two films is Laurence Fishburne. In Daze, he plays a student activist named Dap. This character wants the university to devest from South Africa. In Learning, he plays Professor Phipps, a seemingly humorless Political Science teacher who is eager to teach his students harsh life lessons.  Fishburne plays Phipps with an accent, but we never learn anything about this character. Where's he from? Where did he go to school? Why is he always on campus during crucial moments? The guy doesn't seem to have any sort of life or existence off campus. And although the two films are only seven years apart, Professor Phipps doesn't come across as especially young. (Fishburne would have be 34 during filming, which would be a little on the young side for a full professor. A...

I try to write a review immediately after watching a film, but for this one, I wanted to wait a few days. We got to the theater the second week of its release, and I had managed to stay ignorant of how everything in the movie would play out. I have to say, I was pleasantly surprised by who showed up in this film. I certainly wouldn't have predicted it.  Okay, so there's a 5-year window between this and the last movie, but Aunt May's (Marisa Tormei) gravestone listed 2024 as her year of death. That means Peter (Tom Holland) has been keeping the secret of his identity from MJ (Zendaya) and Ned (Jacob Batalon) for less than 2 years -- which still feels like a crazy amount of time.  Going back to the last movie: Why does Peter not tell Zendaya who he is when he entered the coffeeshop? Is he trying to protect her, which is probably what he would say he's doing, or is he afraid that he will be rejected -- that she will tell him that the MJ he loved is not the MJ she is now? W...