When I was writing my review about Platoon (1986) this week, I noted that a lot of American war films do not present both sides of the battle; so, with that freshly in mind, I was interested that this film does include at least a bit of the German perspective. And to be quite honest, the Germans are portrayed quite decently, or at least as no better and no worse than the Allies. At one point, the Germans try to surrender to Lt. Col. Frost (Anthony Hopkins), but he tells them to go to hell. In response, the Germans act shocked. They were trying to play by the rules of war, and the Allies refused to follow those rules. It was only then that the German Field Commander said, Fine, destroy the city. Until that point, you get the idea at least that Germany occupied The Netherlands, but they didn't turn it into a parking lot or rubble. At another moment in the film, a German commander gave Allied prisoners chocolate. I mean, it's small things like that humanize the Germans, b...
Give Quentin Tarantino $30,000 and a 16mm camera and see what he can do. The budget was ultimately more than $30,000, but this has a very low-budget movie feel, not that that's a bad thing. In fact, it's almost exclusively shot in a warehouse. As I was re-watching it, I thought about how this movie might work even better as a play. It's dramatic, sure, and it works as a film, but the focus to a single location would work very well on stage. For the most part, the power of the film relies on the actors and the intensity in which they deliver their lines. We might not have known it in 1992, but this film includes many of what will become "Tarantino Guys" -- Tim Roth, Michael Madsen, and Harvey Keitel. The only "Guy" really missing is Samuel L. Jackson, who I understand auditioned for the part of Holdaway -- not a very big role, but a role that probably would have popped more with Jackson. The movie is odd in that there is absolutely no female presence....