The Writer's Poke

Roger Ebert liked Woody Allen a lot, and he ended up giving 4-star ratings to nine of his films by my count. Including this one.  This was Allen's first serious film, and not coincidentally, perhaps, the first film he wrote and directed that he didn't appear in.  It's the story of three sisters. You see them on the DVD cover, in that famous, staged scene. They're carefully arranged, looking out the window at the stillness of the ocean. That's the film's last scene, much different from the roaring waters that ended up swallowing their mother.  Their mother wasn't well, and their father decided, at the age of 63, that he no longer needed to be responsible for her wellbeing. He finds another woman who makes him feel more youthful and alive, and after a month, he marries her.  It's a lot for his daughters to accept. These daughters have their own "life issues." Like a lot of Allen characters, they all want to be creative, and they all want to have ...

Early Woody Allen movies are fun to watch, and a much different brand of humor from his later works -- even most of his films after, say, Manhattan.  I watch a film like Love and Death, for example, and although I'm not an expert in Groucho Marx, that's exactly what it puts me in the mind of. In other words, the plot of the film is secondary. It's all about the gags, the one-liners, and the facial expressions. If you watch it for that, then you probably have a good time.  The setting for this one is Napoleonic Europe. Boris (Allen) doesn't want to be a fighter, but he's not built to be much of a lover. He loves his cousin, Sonja (Diane Keaton), but she loves just about everyone but him. Eventually, they do marry, and she might even admit that he turned out to be the love of her life. By that time, however, Boris is frolicking through the trees with Death.  From time-to-time, Boris breaks the fourth wall and speaks right to the camera. That's even how the film en...

The first Woody Allen movie to feature Howard Cosell. (He also appeared in archival footage in Sleeper and had a small cameo role in Broadway Danny Rose). It makes me laugh that Cosell would play his Wide World of Sports ABC self, because basically, he's acting like the opening scene assassination and the closing scene consummation of a marriage are both nothing more and nothing less than boxing contests. That's funny. Maybe the funniest bits of the film, to be honest. Fielding (Allen) is a product demonstrator. That's his job. He meets Nancy (Louise Lasser), a young activist who goes door-to-door to get people to sign petitions. And through this chance meeting, he eventually ends up trapped in a fictious Latin American country, becomes part of the rebels seeking to overthrow the new dictator, and even briefly becomes dictator himself. I think it's fair to say that a lot of Woody Allen movies feel like live-action cartoons. I see this one in the same light as maybe Grou...

Not really a "movie." Or, a movie, but told as answers to seven questions, with each "answer" being a separate "chapter" or story. Only Woody Allen appears in more than one of the stories. To fairly rate the movie, I guess one would first need to rate each chapter. Then, you would either take the individual ratings and divide by seven, or you would figure out another method to give an overall rating.  Chapter 2 -- Gene Wilder and the Sheep. Has to be my favorite. It's ridiculously stupid. An Armenian shepherd falls in love with one of his sheep. Then, he fears the sheep has lost interest in him. He flies the sheep to America so that Dr. Ross (Wilder) can see if he can help bring the two back together. In the process, however, Dr. Ross inexplicably falls in love with the sheep. His marriage and life are ruined as a result.  That's my favorite Chapter and I might give it 4/5. Only Gene Wilder and Woody Allen could pull this one off.  Chapter 6 has an...

Miles (Woody Allen) went to sleep in 1973 and woke up in 2173.  Until you start watching (or re-watching) the entire Woody Allen canon of films, you don't stop to think about how many of his movies have a fantasy element. Even the more "serious" of his films usually include some sort of "discussion" between science, religion, philosophy, and pseudo-science.  Sometimes the Allen "fantasy" element works for me, and sometimes it doesn't. I do, however, almost always enjoy the "discussion" element. I'm writing this down here because I'm about 16 films into my Allen re-watch, and I'm still debating if I like his work as a whole, or if I just like his "best stuff" -- his best stuff generally being "discussion" not "fantasy" (the one exception being Midnight in Paris).  Sleeper, to me, isn't one of his better films, but at least it's a film that I can watch without finding myself zoning out. I ha...

I recently watched A Chorus Line (1985), and maybe I put off watching All That Jazz because I thought it might be the same sort of story. Not at all. Yes, Joe Gideon (Roy Scheider) is a Broadway director, and there is a little bit about that and his work with dancers and putting on a show. But there's a lot more about him and his race toward death. Much of the movie is the "delusions" he experiences. I'm not sure "delusions" is the right word. Maybe what we get is Joe experiencing his life flashing before him, plus the "bonus content" that his brain creates while he's lying in his hospital bed. Not sure how to explain it. Suffice it to say, Joe smokes too much, womanizes too much, works too much. His daily routine is to shower, take his meds, put eye drops in his eyes, and yell "It's Showtime!" into the bathroom mirror. Except for the womanizing, he doesn't come off as a bad guy, really. He has a daughter and seems to be a goo...

When I was writing my review about Platoon (1986) this week, I noted that a lot of American war films do not present both sides of the battle; so, with that freshly in mind, I was interested that this film does include at least a bit of the German perspective. And to be quite honest, the Germans are portrayed quite decently, or at least as no better and no worse than the Allies.  At one point, the Germans try to surrender to Lt. Col. Frost (Anthony Hopkins), but he tells them to go to hell. In response, the Germans act shocked. They were trying to play by the rules of war, and the Allies refused to follow those rules. It was only then that the German Field Commander said, Fine, destroy the city.  Until that point, you get the idea at least that Germany occupied The Netherlands, but they didn't turn it into a parking lot or rubble.  At another moment in the film, a German commander gave Allied prisoners chocolate. I mean, it's small things like that humanize the Germans, b...

This is the answer to the $100 question on Slumdog Millionaire's "Who Wants to Be a Millionaire," and since I just re-watched that, I had to see what this movie is all about. Zanjeer isn't a person. It means "chain," and Vijay (Amitabh Bachchan) is chained to a never-ending life of revenge, or so it would seem. In that respect, I've got to believe that Quentin Tarantino loves this film. So to confirm that, I just asked ChatGPT to tell me what Taratino has said about this movie; according to ChatGPT, Tarantino compared its cultural significance in India to the cultural significance Taxi Driver and Dirty Harry had in the United States. That does actually give some interesting context to how important this film is in Hindi film history. Tarantino also praised Amitabh Bachchan. Not a household name in the United States by any means, but IMDb lists about 250 film credits across his 50+ year career. And he's still active to this day. In some respects, this...

In my search for films with Charles Grodin with good ratings, I stumbled upon this one. For whatever reason, I have a difficult time finding 1970s films that I want to watch. Why is that? I mean, I have no problems finding films from any other decade, but beyond the "best well known" films of the 1970s, I tend to draw a blank.  And this one, I would have thought, would be better known. It was nominated for 14 Oscars and won 9. But nope. I went in to watching it without having a clue what the plot was about. Nor did I know that this is a remake of Here Comes Mr. Jordan (1941), which features another one of my favorite actors, Claude Rains. (There's also a 1943 movie called Heaven Can Wait, but it has nothing to do with the 1978 version.) Although I'm okay with fantasy, the premise of the film is a little absurd. I could forgive that, but I don't like how the ending is handled. In brief, Joe (Warren Beatty) is a back-up quarterback for the Los Angeles Rams. He's...

Steve Martin's first movie features him as the wild and crazy guy from his comedy show, not Steve Martin the actor. That's my main issue with this one, I think. He screams and yells throughout the movie, and it's just annoying to watch. The persona might work on stage, but it doesn't work on screen. In Roger Ebert's review, he notes that he didn't find this movie to be all that funny, but that it might be a "love it or hate it" type of comedy. If you like Steve Martin's comedy, and I do, I'm sure original audiences were more likely to be a little more forgiving. But in terms of longevity, I just don't think this movie has "it." It opens with a stand-up routine joke -- that he's the son of poor black Mississippi sharecroppers. When he leaves home, they do tell him he's adopted, and that makes him feel better, in a sense, because he never understood why he didn't like the Blues. He like lame white Big Band music, and so ...

Based on the reviews I've read, I'm not the only one who likes to watch all of the available versions of classic novel adaptations. This is the 5th version of Jane Eyre that I've watched recently, and although I was curious about this one, I definitely had low expectation. Why? I guess I thought George C. Scott was a real stretch to play Rochester, especially since this film came right after his portrayal of Patton, and I had a hard time imaging Patton playing Rochester. In addition to that, although I'm not familiar with Susannah York, I knew she was in her 30s, and Jane Eyre should be played by someone a decade younger. But I started watching, and the movie won me over. In fact, I was generally pleasantly surprised with the acting, the pacing, and the setting. Everything "clicked" for me. After reading various reviews, I learned that the video quality would probably stink, and that was certainly the case for the DVD version I bought. The color was very incon...