The Writer's Poke

As a "who done it," I'm not sure it comes as much of a surprise who done it, or even why. That said, I thought the movie told an unusual story in an unusual way.  The beginning is the end, really. The film opens with a man getting shot. Soon enough we will learn that the man is Monte Beragon (Zachary Scott). He's the person Mildred Pierce (Joan Crawford) buys the property from for what will become her first restaurant.  That's all getting ahead of the story, though. Mildred ends up at the police station because when he's shot, she's married to Monte. She sits in the station telling the detective her life story. That is the movie.  Mildred's whole deal is that she will do anything for her children. Unfortunately, her oldest daughter, Veda (Ann Blyth), turns out to be an amoral spoiled brat. Are we to blame Mildred for how she turned out? Veda's dad, Bert (Bruce Bennett) more or less implies that Mildred is to blame. His view is that Mildred doesn...

After watching a couple of his 1930s films, I can confirm that Randolph Scott is much more "recognizable" as his more mature self in this 1940s film. I like the way everything in this story is split in two: Farmers vs. Cowboys is the main division, but the town is also divided. On one side, it's the church and businesses (civilization) on one side of the street, and the saloons on the other side.  Dan (Scott) is the town marshal. This gives him the obligation to patrol both sides. He also has a counterpart: Sheriff Trimble (Edgar Buchanan), representing the law for the county. Dan takes his job seriously. The Sheriff would rather play cards and stay out of trouble.  We have the two love interests: Sherry (Rhoda Fleming) on the church side, and Rita (Ann Dvorak) on the saloon side. Dan likes both of them, and they both like him. But Dan has a little more "saloon side" in him. He wants to represent the good guys, but he's willing to use his gun. He's also ...

The Criterion DVD includes a 1991 audio interview with Robert Montgomery's daughter, Elizabeth Montgomery. Dang it, Criterion. These are the sort of extras that Criterion includes that are both a blessing and a curse. A blessing, because they're usually pretty cool. A curse, because I'm always tempted to skip them so I can watch another movie... especially if it's an audio-only supplement. For every 90-minute film, you need to budget 4 or 5 hours just to go through all the extras. Then the stuff you learn in the extras make you want to follow-up with Google searches. Then you probably have a list of movies and actors that you want to add to your watch list. It just goes on and on.  And that's great, because I will never ever run out of content to watch, read, or listen to.  In the interview, Elizabeth -- what a great, happy voice -- admits that she still didn't know her father's body of work all that well. Keep in mind she was 58 at the time, and she would b...

For the curious, this one is available for free on YouTube (fair quality). I watched it because I wanted to see how badly it copied Double Indemnity (1944), and because I've been watching Ann Savage films. Savage plays Toni, the Barbara Stanwyck role. Hugh Beaumont plays Kenny in the Fred MacMurray role. Technically, there's an Edward G. Robinson role, but the actor doesn't stand out in his part whatsoever. Honestly, that's one of the major problems. No chemistry between characters, and no fun banter between the young male and his older boss. If Beaumont was in Double Indemnity, I think he pulls off MacMurray's part just fine. He's just as good an actor, but he just happens to be in a worse film. Although I'm watching Savage films, it's only because of her role in My Winnipeg (2007). That's what interests me about her. She's definitely a B-movie actor -- no Barbara Stanwyck. The murder in this film takes place before the halfway point. The entir...

Cool cover art. Reminds me of Sin City. I just watched Guy Maddin's My Winnipeg (2007), and in it is 86-year-old Ann Savage, an actor who had been retired from the movies for over 50 years. That made really curious to see what the 24-year-old Savage was like. In My Winnipeg, I couldn't tell if she could act, or if the weirdness of the film just called for Savage to be weird. To be honest, after watching Detour, I still don't know for sure if she can act, because her performance is weird in a film noir sort of way. The basic premise is that Al (Tom Neal) needs to hitch across country. His girlfriend is in L.A. She wanted to see if she could make it there, but she quickly discovers she can't. Al wants to get out there and marry her quick. Unfortunately, "fate" isn't kind to Al. He ends up getting a ride from a guy who either died while Al was driving or who died falling out of the passenger's side door, hitting his head on a rock. Al's bad luck ...

This version plays up the "book" adaptation angle, but as others have noted, even though it's reading the "text" to the audience, it's not the actual text of the novel. Why read "the first paragraph or Chapter 1" and then completely change the opening? Pretty weird. Another thing to point out -- Orson Welles and Joan Fontaine are just a couple years apart in age. I think Welles is 28, which is a shockingly young Rochester -- I just watched the George C. Scott version, and Scott was at least 15 years older when played Rochester. Joan Fontaine, on the other hand, is a little too old -- maybe 26 -- to be playing the part of Jane Eyre, and she's also way too pretty... probably the best-looking Jane Eyre of all the various actresses who have played Jane Eyre.. and although Jane Eyre is supposed to be horribly plain, no version casts a plain actress. But in what universe is Joan Fontaine plain? Overall, I like this version when it goes goth and works...

Dumbo has a real name, it's Jumbo, Jr. That's the name Mrs. Jumbo (she doesn't have her own name) gives him, but it's only used once in the movie. Thereon out, he's Dumbo. We only see moms, no dads. When the storks come to deliver babies -- and all are delivered at the same exact time (weird) -- they drop off the bundles to the moms, and the moms are alone. Where are all the dads? It made me wonder if Circuses only wanted female animals, and if so, what do they do with all the male offspring when they start to get a little too old and a little too male? Dumbo's "villains" in this movie are funny, because they aren't the other animals who make fun of him. They are the older female elephants -- the sewing circle. They are the ones that cannot stand Dumbo's ears, as if his ears are somehow a slight on all elephants. What happens to this group of elephants? At the end of the movie, they are totally gone, as if the circus has discarded them. The DVD...

Some movies automatically click, and others don't. Why? Deanna Durbin, now pretty much a forgotten actress in 2026, except for hardcore movie buffs, was the top paid actress in 1945. Her salary per movie at that point was in the $400,000 range. That still seems like a lot of money today, but keep in mind that in today's dollars, she was making $8 million per movie. Unfortunately for me, this movie doesn't ever click. I want it to, but it doesn't. What I really like about the film is the lighting. This movie has perfect black & white noir lighting. Just perfect. It's fun to see Durbin hit her mark and just watch as her face enters that perfectly prepared lighting. But after the introduction of the original problem -- she sees a murder happen as she's reading a murder mystery and then chances to glance out her train window at just the right moment -- I don't find myself connecting much to the story being told. Maybe it's a problem of splattered genres....

  Too simple? Jonathan Jr. (Robert Cummings) is set to marry, but his father is dying and wants to meet his son's fiancée. He can't find her, assumes his father will be dead by morning, and substitutes the hatcheck girl, Anne (Deanna Durbin).  For whatever reason, Jonathan Sr. (Charles Laughton) doesn't die. Maybe Anne revitalizes him. But anyway, you know from the beginning that Jr. and Anne will end up together. His fiancée is never depicted as a bad woman, and if they were engaged to be married, you assume she and Jr. loved each other. I guess the only "bad" thing about her was that she's attached to her mother, which would, I grant, make the honeymoon awkward.  Laughton is fun as the old man, but this is a romantic comedy with little real comedy. If you wanted to push the limits of the plot, why not have Sr. fall in love with Anne? She does teach him to dance, after all, but the movie never goes there. All we're left with is the idea that maybe Sr. dec...

The world might have been at War in 1944, but Hollywood was still cranking out the movies, including this singing Romantic Comedy.  This month I've been going through Deanna Durbin films. Most can be classified as "cookie cutter" and "light entertainment," which is not to say they're not somewhat enjoyable to watch... but this film had me smiling almost all of the way through. Great comedy, great use of technicolor -- maybe the best technicolor film I've ever seen, or at least the best one I've seen in quite some time.  Basic plot: Caroline (Deanna Durbin) is a senator's daughter -- so, rich and privileged. She's in love with a military man, Lt. Robert Latham (Robert Latham), but he's just a social climber, previously in love with the daughter of another senator, until that senator lost reelection.  Actually, I think that's a little harsh. Latham might actually love her, too, but that Caroline is a sitting senator's daughter is ju...