The Writer's Poke

But what if Quasimodo could find love? That had to be the question screenwriters worked with when they pitched and wrote the sequel. When we watched this film last night, my daughter said, "Who asked for this sequel to be made?" I think it's a fair question. All of the voice actors, for whatever reason, came back. But the budget is clearly no longer $100 million. The songs are weaker. The animation is weaker. And, while I don't actually mind the storyline that much (except for the ending), it's weaker as well. Esmerlda and Phoebus are married. They have a son, but neither they nor the goat look any older. They haven't aged at all. Nor have their characters developed in any noticeable way. Quasimodo does seem a little more social. He goes out and about, and none of the people run from him or throw rotten vegetables at him. Everyone seems to get along. Enter this movie's "gypsies" -- the circus people. The whole plot centers around the Madellaine (...

When I was a kid, I didn't care for Disney films. Bambi was okay, and so was Lady and the Tramp, but I never went out of my way to watch any other Disney animated films. I think there were a couple of reasons for this. One, the films usually felt girly to me, because they focused on princesses, and I didn't care about princesses. And two, and maybe equally girly, they all seemed to be full of songs. I didn't care for all the singing. But by the time I saw The Lion King, and I was cool with princesses, and I didn't mind the songs. That said, The Hunchback of Notre Dame just has too many damn songs. Google says it has between 7-to-9, depending on what's counted as a song, and that it's one of the "most heavily dense" Disney animated movies with songs. The actual movie, which had a $70-100 million production budget, is quite good. They really make Esmerelda's (Demi Moore) eyes pop, for example. (By the way, Moore didn't sing Esmerelda's song. ...

I just watched The Fighting Westerner aka Rocky Mountain Mystery (1935) and gave it a 1-star rating for being almost unwatchable. So, I needed to watch another movie to cleanse my palette.  Unfortunately, I went with To the Last Man (1933), which somehow managed to be even worse.  Made in 1933, which is a few years after the end of the silent picture, this picture is so "silent." I couldn't believe it. Not only no musical score at all, but every time a new character came on the screen, their credits were put underneath them. Randolph Scott' actually doesn't just the film until about minute 25, and they're still adding the credits at that point in the film. It's a classic "feud" story. And it has, what? A Montagues and Capulets romance angle? I couldn't follow why Lynn (Scott) likes Ellen (Esther Ralston). I guess the heart likes what the heart likes, but I also get really tired of movies that must somehow end with a marriage. It's such a ...

Almost unwatchable. At least that's how I felt as I tried to watch this. And so, I go immediately to user reviews to see what the heck I'm missing, because a 2- or 3-star review should give me more insight into what I'm missing here. 2 or 3 stars should say, "Hey, this movie isn't that good, but it does have X going for it." I think the main X is just that it's a Randolph Scott flick, and so we give it an extra star for that, and maybe because an early Ann Sheridan is in it, too.  That's not enough for me.  Another reviewer did note the striking "Walter Brennan-like" acting ability of Charles 'Chic' Sale, who plays the Sheriff. And I would agree. He probably is my favorite character in the story. Otherwise, I had absolutely no interest in the story. Sadly, it's one of my least favorite movies for the entire year (of the 230 or so films that I've watched so far in 2026). 

After watching a couple of his 1930s films, I can confirm that Randolph Scott is much more "recognizable" as his more mature self in this 1940s film. I like the way everything in this story is split in two: Farmers vs. Cowboys is the main division, but the town is also divided. On one side, it's the church and businesses (civilization) on one side of the street, and the saloons on the other side.  Dan (Scott) is the town marshal. This gives him the obligation to patrol both sides. He also has a counterpart: Sheriff Trimble (Edgar Buchanan), representing the law for the county. Dan takes his job seriously. The Sheriff would rather play cards and stay out of trouble.  We have the two love interests: Sherry (Rhoda Fleming) on the church side, and Rita (Ann Dvorak) on the saloon side. Dan likes both of them, and they both like him. But Dan has a little more "saloon side" in him. He wants to represent the good guys, but he's willing to use his gun. He's also ...

Although I'm not a big fan of John Wayne's The Big Trail (1930), I rated both versions of that film 3/5 stars. Much better than whatever this is.  So Clint (Randolph Scott) and a couple other guides are set to take a wagon train west to Oregon. Nancy (Gail Patrick) wants to join the wagon train with her four-year old son. Her husband is dead, and Clint tells her no, her equipment isn't up to the journey, and neither is she. She gets some better equipment from another guy -- it's never really explained what he wanted from her or how much he charged her. Maybe he was just being nice.  Fortunately for the wagon train, there are no buffalo around to stampede, but at least there are Indians. They attack. It's hard to tell how far the wagon train had gone by this point, but they were crossing a bigger river, like maybe the Missouri. Maybe they've made it as far as that... Clint and the others are able to chase the Indians away, and they never come back. Nor do they ha...