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Showing posts with the label Tony Randall

The Adventures of Huckleberry Finn (1960)

Can a good movie adaptation of Huckleberry Finn be made? That's a serious question. I think the answer is probably yes, but I'll need to keep looking, because this one isn't it.  Huckleberry Finn is not a children's story, but because the protagonist of the story is a boy, I have a feeling that most movie versions treat it as such. And maybe that could work, but I think I would prefer the movie to find a way to treat it as a serious story with adult themes. I want to see Huck realize that he needs to "grow up," even as he tries to escape "being civilized."  Michael Curtiz directed this film, and he's capable of doing a much better job (see Casablanca as Exhibit A). Maybe by this point, his best work was long behind him, I don't know. Maybe the budget for this one wasn't that much, or maybe he didn't know what audience to make it for. Maybe he didn't know what the heart of the story should be. Maybe he just needed a better child ac...

Send Me No Flowers (1964)

The third in the Doris Day/Rock Hudson/ Tony Randall trilogy, and I'm surprised to find out, the best of the three.  I'd like to know more about Doris Day's hair. In this film, sometimes it looks like her normal hair, and sometimes it looks three times the size. It sort of reminds of NFL football player helmets -- the standard helmet versus the special helmet some players wear to protect their heads from concussions.  But in all seriousness, I'm guessing that Day wore wigs for at least some of the scenes in this film, but if she did and didn't wear them for all scenes, I'm just left confused. Why did she have to wear wigs in some of the scenes? And why did they have to be so big? Meanwhile, Tony Randall has a little bit better part here. In the first two films, he's a rich friend of Rock Hudson, and he goes to a psychiatrist. That's really all we know about him. In this film, he's a lawyer and neighbor, and he's got a drinking problem. He's m...

Lover Come Back (1961)

Because Pillow Talk (1959) exists, this movie should never have been made. Do I like Rock Hudson and Doris Day together on screen? Sure I do. Do I like the sex comedy plot of two people who hate each other but somehow, through convoluted circumstances, end up falling in love because the man pretends to be someone else? Yeah, that's fun.  But at least in Pillow Talk, the Rock Hudson character starts falling in love with the Doris Day character. In Lover Come Back, Jerry (Hudson) is still the womanizing guy that will do whatever to get whatever he wants. He does not, however, begin falling for Carol (Day). He's just tricking her until she finally finds out who he is.  That's the biggest difference between the two films. And yet, Jerry and Carol STILL end up married. But the marriage is one that happens simply because they end up accidently drunk on Jerry's VIP mints. Carol doesn't magically fall in love with the real Jerry. In fact, she wants to immediately annul the ...

Pillow Talk (1959)

A rather odd genre from this era called "the sex comedy."  Jan (Doris Day) is a single, professional woman. We don't know her exact age, but Day was 37, and it's likely Jan is supposed to be in her mid-30s. So it's a rather sexist question, but audience members would likely be asking it too themselves at the time: Why is she still single? The obvious answer is that she hasn't found the right man to fall in love with. Jonathan (Tony Randall) loves her, but she doesn't love him. She even lets him give her an "exploratory kiss," but the sparks don't run down her back. That's what she wants. She wants sparks.  Brad (Rock Hudson) is the man she shares a party phoneline with. She hates him, considering him a womanizing playboy. When Brad first sees her in the flesh, though, he knows that she's pretty special. He also knows that based on their past history, he doesn't have a chance with her. So her creates a whole new persona and pretend...

Everything You Always Wanted to Know about Sex* (1972)

Not really a "movie." Or, a movie, but told as answers to seven questions, with each "answer" being a separate "chapter" or story. Only Woody Allen appears in more than one of the stories. To fairly rate the movie, I guess one would first need to rate each chapter. Then, you would either take the individual ratings and divide by seven, or you would figure out another method to give an overall rating.  Chapter 2 -- Gene Wilder and the Sheep. Has to be my favorite. It's ridiculously stupid. An Armenian shepherd falls in love with one of his sheep. Then, he fears the sheep has lost interest in him. He flies the sheep to America so that Dr. Ross (Wilder) can see if he can help bring the two back together. In the process, however, Dr. Ross inexplicably falls in love with the sheep. His marriage and life are ruined as a result.  That's my favorite Chapter and I might give it 4/5. Only Gene Wilder and Woody Allen could pull this one off.  Chapter 6 has an...