Early Woody Allen movies are fun to watch, and a much different brand of humor from his later works -- even most of his films after, say, Manhattan.
I watch a film like Love and Death, for example, and although I'm not an expert in Groucho Marx, that's exactly what it puts me in the mind of. In other words, the plot of the film is secondary. It's all about the gags, the one-liners, and the facial expressions. If you watch it for that, then you probably have a good time.
The setting for this one is Napoleonic Europe. Boris (Allen) doesn't want to be a fighter, but he's not built to be much of a lover. He loves his cousin, Sonja (Diane Keaton), but she loves just about everyone but him. Eventually, they do marry, and she might even admit that he turned out to be the love of her life. By that time, however, Boris is frolicking through the trees with Death.
From time-to-time, Boris breaks the fourth wall and speaks right to the camera. That's even how the film ends. Allen is never going to play by any conventional film rules. Every film he tries something different. Of course it's interesting to catch him do certain gags twice. In this film, Boris is on a cross. Fielding in Bananas also finds himself up on a cross at one point.
Since Boris is played by Woody Allen, he seems very Jewish. I guess it's part of the joke, though, because Boris is not supposed to be Jewish. Not that it really matters, because everything in this sort of movie is supposed to be ridiculous and absurd.
Rating: 3.5/5 stars

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