In Camille (1934), which I just watched, Greta Garbo plays an older woman. A younger man falls in love with her, and she eventually falls in love with him, even though she should know better.
Well, that's essentially what happens in Mata Hari, too. This time, instead of a courtesan, she's a German spy. Set in 1917, she's "stationed" in Paris, and in flies this younger Russian airman, Lt. Alexis (Ramon Navarro). Hari wears these elaborate outfits, and when Lt. Alexis sees her at the casino, he buys a ring from another woman who needs money to gamble, and then he gives the ring to Hari, a token of his affection.
Originally, you can tell that Hari knows better than to get involved with this guy, but he's persistent, and she's weak. She could have flown to Amsterdam and got away before getting caught, but she refuses to leave Paris, and that leads to her downfall. Like I said, they fall in love, but there's no way for them to be together, and unfortunately, there will be no happy ending to this one.
I honestly thought Garbo overacts a bit here and there in this one. Just feels a little melodramatic. I don't know if she's still figuring out how to be a "talkie" actress, or what the explanation might be, because I've never thought she overacts in other films released slightly after this one.

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