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Rebel without a Cause (1955)



Maybe I'm the only one, but I'm currently watching Natalie Wood films, and so I re-watched this one not for James Dean, but for Natalie. 

The timeline bothers me. This is a lot to happen in a 24-hour period. If Jim's family just moved to this new location, how does the house already look like they've lived there forever? If this is Jim's (James Dean) first day at school, has he already given Plato (Sal Mineo) his address? For that matter, how exactly did the bad boys know that Jim and Plato and Judy (Natalie Wood) were at the old, abandoned mansion?

Anyway, I'd like the timeline to expand a little. Let's see the relationship between Jim and Plato grow. Let's give Judy a chance to move from the "bad kids" to Jim's side. And so on. 

Let's unpack the stuff that's implied. I know it's a 1950s movie, but I need some help understanding what's really going on with Judy and her father. I read that it's an "Elektra complex," but that's a little cliche. Show me the relationship beyond what happened one night at dinner. 

And what's the deal with Jim's dad? (Jim Backus). He's a little more developed. We see him in an apron, we get that he doesn't stand up for his son or offer him "man" advice. But is there a reason that the wife dominates the relationship? 

Much of the film seem a little... odd. I do appreciate some of the camera angles -- either shooting up, or shooting crooked, etc. Other things, like Jim moving next door to Judy. feel a little to contrived. Convenient for the plot but contrived. 

Judy and Jim seem to be from upper-middle class backgrounds. It's hard to accept that Judy's gang is all upper-middle class, or why she would associate with those guys and not kids from her own social circle. Is it just a cry for help? 

Much has been written about Plato being "coded" as gay. Well, okay. If that's his bedroom and not his mom's room, it's pretty gay. In terms of him "liking" Jim as more than a friend, I would have to say I don't see it. They haven't known each other at all. Yes, we see that Plato makes up stories about things, and in his mind, it's possible, I suppose, that he could make up an elaborate story about Jim... but the story we get is that Plato sees Jim and Judy as being his "parents," which is pretty darn odd that one 16-year-old boy would see two classmates that way.

Interesting film, and I was thinking of it sort of in the "Cool Hand Luke" vibe. Jim, and Judy and Plato, don't fit in, don't know if there's really any purpose to life. And the movie just sort of ends without us knowing what will happen. Will Jim be punished for Buzz's death? For the standoff at the Planetarium? What happened to the kid shot at the Mansion, and the other kids who were there? What happened to Judy? Just a lot of loose ends and questions unresolved. 

Cool red jacket, though. 

Rating: 3.5/5 stars

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